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Julien Baker employs a accurate cant aback she talks about music: Vulnerability. Transparency. Safe space. She sees it as “a agency of acknowledging accurate emotions, no amount how austere or sad or angry.”

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Those qualities are bright on her additional album, “Turn Out the Lights,” which was appear Oct. 27 on Matador. The sparely produced songs detail relationships, depression, addiction, analysis and her Christian acceptance with an acutely confessional articulate delivery, about backed by not abundant added than guitar and piano.

The almanac congenital on the underground success of “Sprained Ankle,” the 2015 admission from the 22-year-old songwriter originally from Memphis, Tennessee. She played aperture slots for Dashboard Confessional, and the Decemberists brought her to Missoula in August for Travelers’ Rest, their curated anniversary at Big Sky Brewing.

Ahead of a acknowledgment achievement in Missoula on Wednesday, Baker talked about recording the new album, arena sad songs live, growing up in abbey bands and more.

“Sprained Ankle,” originally appear apart on Bandcamp, brought Baker from the DIY ambit to a civic audience. Asked if her thoughts on the claimed attributes of the songwriting acquired as she played them alive for ample crowds, Baker said “I anticipate that seeing the estimation of the songs and those affections affectionate of mirrored aback to me through added bodies gave me a lot of ambit and angle and accustomed myself to see the accessible implications of what I was saying.”

She analyzed and revisited them but ashore to her amount conviction.

“I anticipate it’s important to be able to accede accurate affections and be honest about what you’re feeling: maybe the abasement or abasement or anguish or anger,” she said.

While the “Sprained Ankle” actual didn’t abridgement for “cathartic expression,” she said the newer songs accept added dash and “a added accessible application of others and the gray breadth of what I’m activity and what others are feeling.”

But in acute ways, accepting a added admirers didn’t change the confessional attributes of her music.

“I still address songs as a agency of exorcising abrogating emotions,” she said. If she begin herself apprehensive if she should accomplish a claimed advertence added ambiguous or abstract, she’d stop herself.

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“Precisely the acumen why I adulation music and accept admired music my absolute activity and what I concluded up talking about best in interviews with the aftermost almanac was the accent of vulnerability. And so, alive that there were bodies on the added ancillary of the songs this time, I anticipate aloof fabricated me appetite to authority myself to a aerial accepted of accuracy aback it’s hard — alike aback it’s harder than it was before,” she said.

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Sonically, Baker said she capital a added all-embracing palette for “Turn Out the Lights.” Her vocals and harmonies are backed by basal guitar and piano biconcave in reverb, with some strings and horns.

“When I recorded ‘Sprained Ankle’ I anticipate it was additional because of the way that the songs were written, and the ambiance in which the songs were written. We recorded them in three days, area I assumption we recorded this almanac in six days,” she said.

Incredibly, they were allotted about bristles hours a day on that antecedent album. For “Turn Out the Lights,” she and collaborators could assignment from 8 in the morning until 10 at night.

Camille Faulkner contributed cord arrangements, piano and organ; and Cameron Boucher of Sorority Noise played clarinet and saxophone. Baker alternate added to piano, her aboriginal instrument, than she had before.

In the future, she wants to abide a added collaborative approach, autograph with others afore recording and possibly accumulation percussion, an aspect she hasn’t acclimated actual abundant before.

Baker’s accomplishments played an important allotment in the way she performs. She started on guitar aback she was in her aboriginal adolescence and played with the “praise bands” during Sunday services.

She had the abnormal bifold acquaintance of arena in abbey and with post-hardcore bands, but she sees similarities in the two. The Sunday concerts abreast her autograph and alive performances, both “both ideologically and practically,” she said.

“Basically, every anniversary you get beatific songs that you may or may not accept anytime heard, and again you aloof apprentice them and you aloof improvise,” she said. If they were arena a agreeable break to aback an advertisement and it ran too long, the musicians would accept to addition it.

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“Learning to be in a abetment bandage was actual determinative and gave me a array of alive skill, to apprentice how to acquisition my way in whatever agreeable bearings I’m placed in,” she said.

She uses it frequently to this day. “When I’m on date and article goes amiss or something’s off, or I feel that a song should booty a altered path, I anticipate it allows me that adeptness to cross in a aqueous manner,” she said.

The aberration amid the abbey performances and the generally “eccentric, performative quality” of a civil appearance has remained with her.

“I use this chat a lot, it’s actual alternate [and] across-the-board of the aggregation because they’re as abundant a allotment of the barter that’s activity on. The purpose of you arena songs is not to accomplish a comedy for the aggregation to appearance [and] I never anticipation of it that way in my bandage either. If bodies at a abode appearance or at the basement or the bar or whatever, if bodies weren’t singing forth again article was wrong. Your job is to get bodies engaged. So I anticipate that is affectionate of how I feel, always, about music: That it’s declared to be an exchange.”

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While her music is absolutely serious, she tries to actualize a altered affection during alive performances.

“I appetite to be able to authorize a affinity with the admirers and antic with them, and be aboveboard with them,” she said.

She brand to be convincing and “move through the songs as if they were a conversation.”

“I’d rather not assemble the attitude that a aerialist might. For some bodies that works: You go see addition who has a anxiously curated complete and brainstorm and achievement method,” she said.

She brand to accumulate the performances fluid, adorning the articulate melodies, the amount of her music.

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“The songs are actual amoebic things to me, that can change. Or the chat can change depending on a phrasing,” she said. “I never apperceive if that’s arrant to a actuality who has appear to a appearance and expects to apprehend a song a assertive way, or if it’s interesting.”

For this tour, Baker brought forth a keyboard and switches amid that and electric guitar and pedalboard. She uses looping pedals to body up the layers of her songs while she sings, which she compared to “live painting.”

The anthology anorak for “Turn Out the Lights” is a arresting hand-painted angel that could be either absolutely abstruse brushstrokes or a boutonniere of red, blue, amethyst and blush flowers. Regardless, it seems to accompaniment the affection and alive affection of her articulation and songs perfectly.

Baker said her bandage Forrister acclimated to comedy with a Nashville accumulation alleged Ill Patriot. That group’s advance singer, Ryan Rado, is now with a hardcore bandage alleged Worker. Baker admired the way he batten alive on date about his own adventures with afflicted besetting ataxia and Tourette syndrome.

“He is one of the aboriginal bodies I saw be actual determined and articulate about not actuality abashed of accepting a brainy disposition that’s not common, or talking about brainy bloom and aggravating to destigmatize it,” she said.

He’s an activist and artisan as well, and Baker was acutely afflicted by his nonrepresentational paintings. It turns out that both of them accept a synesthesia-like addiction to “see” sounds in agreement of blush and shape. She beatific him the almanac and asked him to acrylic what it “looked” like to her — the aftereffect about matches a blush album of the songs that she had fabricated herself.

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“I anticipate it’s apparently aloof like a statistical probability, but I anticipation it was actual like, it’s article about mystical that he was able to booty a complete and affectionate of construe it into this average that like supersedes words,” she said.

She has the aboriginal canvas, which is about 5 anxiety tall, blind in her active room.

“It’s a admirable painting,” she said. “It seems so anarchic and disorganized, but again aback you attending carefully you apprehend it’s actual accurate and agilely balanced, which I anticipate is a abundant allegory for the animal mind.”

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